Nova Scotia-born conductor Caron Daley has been appointed as the Associate Conductor of the Toronto Mendelssohn Choir, effective September 2013. The TMC created the position of Associate Conductor in 2011 to provide talented choral conductors who are early in their career with coaching, training and mentoring, while also adding to the TMC’s artistic team. The Associate Conductor works with the Choir under the guidance of Artistic Director Noel Edison, directing TMC ensembles in rehearsals and select performances. Caron Daley will be the second conductor to hold this two-year position.
Author: tmchoir
Drama, Artistry, Inspiration: the Toronto Mendelssohn Choir 2013/14 season
The Toronto Mendelssohn Choir, under Artistic Director Noel Edison, has created an exciting 2013/14 season. The season, the TMC’s 120 th season, includes a celebration of Benjamin Britten’s centenary with a performance of two rarely-performed cantatas, a guest appearance by tenor superstar Ben Heppner at Festival of Carols, and Bach’s Mass in B minor at Koerner Hall. The TMC will also perform four concerts with the Toronto Symphony Orchestra.
An invigorating performance: Missa Solemnis in D Major
Michael Johnson, Concertonet Beethoven’s Missa Solemnis doesn’t come around often enough, a fact that prevents it from becoming stale – and all the more reason to welcome it when it does get programmed. This was the final program this season presented under the Toronto Mendelssohn Choir’s own auspices, which I suspect is why the full...
Concert Review: TSO speaks a little too softly with Brahms’s A German Requiem
Arthur Kaptainis, National Post Softness reigned at the start, of course, as the violas and cellos traced their lines with the audio equivalent of a dotted line and the Toronto Mendelssohn Choir whispered “Selig sind” with the utmost intimacy. There were sturdy fugues and stirring outbursts to come, but the 145 choristers as prepared by...
TSO, Mendelssohn choir and soloists give Brahms his due
Robert Harris, The Globe and Mail And fittingly, Toronto’s Mendelssohn Choir, fresh off a performance of the Missa Solemnis just a week ago, provided the backbone of the TSO performance of the German Requiem. The chorus is part of the Requiem for almost its entire 70-minute length, and with the preparation of Noel Edison and...
Toronto Symphony Orchestra fails to transcend minutiae in Brahms German Requiem
The Toronto Mendelssohn Choir, out in full force, sang with its characteristic mix of subtlety, power and precision. The Toronto Symphony players (with woodwinds and brass on risers, all bizarrely crammed into one corner of the stage with the piano, organ console and harp) were in great form.
Concert Review: Toronto Mendelssohn Choir keeps Missa Solemnis light, when perhaps it could have used more weight
Every season the Toronto Mendelssohn Choir undertakes a Big One, or even a Really Big One, such as Beethoven’s Missa Solemnis, presented Wednesday evening in Koerner Hall under the baton of Noel Edison. It was a clear-headed and articulate performance that lacked something in Missa Solemnity.
Hats off to the Mendelssohn Choir for tackling Beethoven’s Missa Solemnis
It is notoriously difficult to perform. Which is why we should thank conductor Noel Edison, his Toronto Mendelssohn Choir and Festival Orchestra, for having the courage to mount this important, if rarely heard, work. And by and large, on Wednesday evening the group of hundreds of musicians and singers acquitted themselves quite well.
Beethoven: Missa Solemnis Program Notes
When you come right down to it, Beethoven didn’t compose a lot of choral music. There are three early works - the under-rated Mass in C, the rarely-performed oratorio Christ on the Mount of Olives and the Fantasia for Piano, Chorus and Orchestra, Op. 80. Of course, there are choruses in the opera Fidelio before his last two choral masterpieces - the finale to the Symphony No. 9, and the great Missa Solemnis.