Media

Media Room

June 24, 2019

Toronto Symphony 2018-2019 #5: Romantic Opulence and Worldly Pleasures

2018-19 Season

TMC media review

Ken Stephen, Large Stage Live!. The combined forces of the Toronto Mendelssohn Choir and the Toronto Youth Choir acquitted themselves magnificently throughout the cantata, from the majestic opening cry of O Fortuna to the rapid-fire yet still completely clear diction of In taberna quando sumus or Veni, veni, venias.  The steadiness of the tone was noteworthy and the choral blend across the full dynamic range was an unfailing delight.

June 21, 2019

Unlikely Pairing Of Orff And Korngold Hits The Spot In TSO Revival

2018-19 Season

TMC media review

Joseph So, ludwig van Toronto. From the downbeat of “O Fortuna” onwards, it was a sonic journey of extraordinary impact. Sometimes this piece can come across as a tad bombastic, but under Runnicles’s baton, it was plenty loud but never overdone. There were moments of subtlety, underscoring the inherent lyricism of the work. But at the climaxes, it was thrilling, thanks to the inspired playing by the TSO, notably the brass and the woodwinds. …
And what can I say about the three choirs, except that they are the best. It was headed by the Toronto Mendelssohn Choir, surely a national treasure. The torrents of sounds were thrilling, full-bodied, incisive, rhythmically precise, exactly the way it should sound. The ending, a recap of the opening “O Fortuna,” was exhilarating, bringing the audience to its feet.

June 20, 2019

Pathways to the past with TSO Carmina Burana

2018-19 Season

TMC media review

Leslie Barcza, barczablog. I’ve heard a lot of versions of Carmina Burana and must recommend Runnicles’ distinctive interpretation. He connects the sections together rather than making big pauses, he pushes the tempi in the quicker passages, which is especially electrifying if you get your percussion & brass to opt for clear & crisp attacks. You won’t hear a better performance. This orchestra is in fine form coming towards the last few concerts of the year (this week & next).
Credit too must go to David Fallis, who has the Toronto Mendelssohn Choir matching Runnicles’ requirements for clarity. The text was pristine, the dynamics sometimes beautifully restrained except in the big climaxes, so that the performance had more shape than usual (more than last time certainly). The soft singing still had great intensity, diction and consonants and energy but without being loud all the time. As a result? Extraordinary. If I could go see every concert this week, I would.

June 17, 2019

Toronto Mendelssohn Choir commissions new work from composer Andrew Balfour to help celebrate TMC’s 125th anniversary

2019-20 Season

The Toronto Mendelssohn Choir, under Interim Conductor David Fallis, has commissioned a new work from acclaimed Cree composer Andrew Balfour, to be premiered at the TMC’s 125th anniversary gala on October 20, 2019. The 10-minute work, titled Mamachimowin (The act of singing praises), will be a partial setting of Psalm 67 translated into Cree. It will be scored for SSATTB , violas, cellos and double basses. Of Cree descent, Winnipeg-based composer Andrew Balfour is an innovative composer, conductor, singer and sound designer with a large body of choral, instrumental, electro-acoustic and orchestral works.

May 27, 2019

TMC announces retirement of Executive Director Cynthia Hawkins

2019-20 Season

For the past 14 years, Executive Director Cynthia Hawkins has been the administrative leader of the Toronto Mendelssohn Choir. Earlier in May she informed the TMC Board of Directors that she would be taking her retirement at the end of August. In her letter to the Board, Cynthia stated “My work with the Toronto Mendelssohn Choir has been the highlight of my professional career. I will miss the choristers, TMC staff and the excitement of performances very much.”

May 10, 2019

Choral maestro Andrew Balfour pursues his Indigenous identity through music

2018-19 Season

TMC media review

Carol Toller, The Globe and Mail. Toronto’s Tafelmusik and Mendelssohn choirs and the buzzy New York-based experimental ensemble Roomful of Teeth have all commissioned pieces from Balfour, and close to 20 groups across the country have performed his first published work, Ambe. The five-minute piece builds around a driving, rhythmic bass line that echoes the sound of a ceremonial drum – or, as Balfour has said, the heartbeat of Mother Earth – and projects a message of unity for all “two-legged beings.” The text is in Ojibway, and its energetic, welcoming message “seems to be something that people want to hear right now,” Balfour says.It’s a far cry from Handel’s “Hallelujah” chorus and the rest of the Western canon that dominates choral programming in North America. And for Canadian choir directors, that may be what’s most exciting about Balfour’s work. He’s drawing on his First Nations identity to nudge the Canadian classical-music scene out of its stodgy Eurocentric traditions.

May 9, 2019

A great blend of architecture and music

2018-19 Season

TMC media review

Michael Johnson, Concertonet.com. This year’s Easter presentation by the Toronto Mendelssohn Choir (“Sacred Music in a Sacred Space“) took place at St. Anne’s Anglican Church a heritage building whose interior was decorated in the 1920s by notable artists in a style hearkening back to art nouveau. The space thus related nicely with the program of 20th century music composed between 1910 and 1987, a time period that experienced the emergence of various musical philosophies and styles. The word “rapt“ best describes the approach of all eight composers.

April 23, 2019

Toronto Mendelssohn Choir celebrates singing through three centuries with a gala concert to launch its 2019/20 season

2019-20 Season

The TMC celebrates its 125th anniversary in 2019 with a gala concert with the Toronto Symphony Orchestra at Koerner Hall. The Choir was founded in 1894 by conductor Augustus Vogt and had its first concert on January 15, 1895 in Massey Hall.  The Choir has performed in the 19th, 20th and 21st centuries, as Toronto went from a city of 200,000 to the Greater Toronto Area of over 6 million. A lot has changed over the years, but the Choir continues to hold annual auditions for all choir members, a practice started by founder Augustus Vogt.The Gala Concert will take place Sunday, October 20, 2019 at 3:30 pm at Koerner Hall. The Choir will be joined by the Toronto Symphony Orchestra, long-time musical partners with the TMC and a youngster at only 97 years old. TMC Conductor David Fallis has put together a program that brings together the three centuries in three major works: Gabriel Fauré’s Requiem, composed in the late 1880s and re-orchestrated by him in 1894, the year of the founding of the TMC; Igor Stravinsky’s Symphony of Psalms, composed in 1930 and one of the greatest choral-orchestral works of the 20th century; and for the 21st century a new commission by acclaimed Cree composer Andrew Balfour. Andrew’s commission for the TMC will set one of the Biblical psalms in Cree, interwoven with words by Indigenous poet Karen Vermette.

April 23, 2019

Toronto Mendelssohn Choir inspired by new venue for Sacred Music in a Sacred Space

2018-19 Season

TMC media review

David Richards, Toronto Concert Reviews. The Toronto Mendelssohn Choir found a new venue for its annual concerts for Holy Week,Sacred Music for a Sacred Space. The new location, St. Anne’s Anglican Church, has a beautiful Byzantine style structure that dates to 1907 with interior decoration and paintings completed by J.E.H MacDonald and other members of the Group of Seven. Before the concert began many of the early birds in the audience were out of their seats getting closer looks and photos of the iconography on the walls and ceilings The symmetrical shape and the domed ceilings gave a warm acoustic without the excessive decay of Gothic styled churches. The setting was clearly one of Interim Conductor and Artistic Advisor David Fallis’s inspirations for the program.​The first half of the program was clearly designed to set the tone for a meditative experience. Two reflective motets by French composers opened the concert.