Media

August 15, 2016

Toronto Mendelssohn Choir celebrates Artistic Director Noel Edison’s 20th season

2016-17 Season

The Toronto Mendelssohn Choir (TMC) presents a season of inspiring choral music for 2016/17 – from an intimate a cappella performance to a grand oratorio with full orchestra. In November the Choir celebrates Noel Edison’s 20th season with one of his favourite works, Felix Mendelssohn’s Elijah, at Koerner Hall.

Noel Edison has been widely recognized and appreciated by choristers, critics and patrons for his skillful interpretive work with both choir and orchestra. His vision for the TMC is to create performances that connect audiences emotionally with some of the greatest traditional and contemporary choral repertoire.

July 9, 2016

ELORA FESTIVAL opens with a celebration of life, love and redemption!

2015-16 Season

David Richards, Toronto Concert Reviews. Last night, the Opening Night Gala (of the Elora Festival) brought together the widely acclaimed Toronto Mendelssohn Choir, the Elora Festival Singers, the Elora Festival Orchestra and four superb soloists in two magnificent and large choral orchestral works. The performance took place on the outskirts of the historic village in a mammoth storage barn transformed into a cathedral-like concert hall. The program opened with moving multi-verse arrangements of ‘God Save the Queen’ and ‘O Canada’. The audience felt goosebumps from the glorious choral-orchestral sound that gave a hint of the very special evening that was about to unfold.

June 6, 2016

Conductor And Soloist Try The Soft Sell With The TSO

2015-16 Season

Arthur Kaptainis, Musical Toronto. Expectation and fulfillment: We get a bit of each every day, and giant helpings whenever an orchestra like the Toronto Symphony programs Ravel’s Daphnis et Chloé as a complete ballet. This score is languorous and lavish in equal measure, and if the first of two performances in Roy Thomson Hall under the baton of Juanjo Mena was a little heavy on the languor, the emphatic moments had their properly fulfilling effect.

May 17, 2016

T.O. concert for Queen’s 90th was indeed Happy and Glorious

2015-16 Season

Martin Knelman, Toronto Star. It was a highly enjoyable celebration of the Queen’s 90th birthday with a distinctively Canadian twist. And it should have been on national TV in prime time so millions could have joined the party…. From an Ontario perspective, the most stirring mix of provincial pride and nostalgia came when the Toronto Mendelssohn Choir sang “A Place to Stand,” which became an anthem for the Ontario Pavilion at Expo 67 in Montreal, which the Queen visited.

May 3, 2016

An experience of sonic excellence: New Ears respond to The Creation

2015-16 Season

At one point I began to imagine myself seated in the hull of Noah’s Ark instead of Koerner Hall with its beautiful wood-paneled balconies and ceiling and how I was being prepared for a world of such beauty and diversity, listening to the music. Haydn’s Creation was an experience of sonic excellence combining vocal soloists, choir and orchestra and at the same time a good opportunity to reflect on the natural beauty we’ve been afforded and should not take for granted.

April 30, 2016

Choral Splendor Marks TMC’s The Creation at Koerner Hall

2015-16 Season

Joseph So, Musical Toronto. One of the cornerstones of the oratorio repertoire, Haydn’s The Creation (Die Schöpfung) is a wonderful work that I never get tired of hearing. Together with Die Jahreszeiten, it’s two pieces on my short list of go-to oratorios if I ever want a “spiritual uplift.” So it was great to hear it again the other evening at Koerner Hall.

April 29, 2016

Toronto Mendelssohn Choir spectacular in Haydn’s Creation

2015-16 Season

David Richards, Ontario Arts Review. The Toronto Mendelssohn Choir created an evening of spectacular bliss. Noel Edison successfully highlighted the drama and humour in the work with uplifting results. He created a symphonic sound of magnificent proportions with the 135 voice choir and the Festival Orchestra.

April 6, 2016

The Creation Program Notes

2015-16 Season

The opening orchestral introduction, called “The Representation of Chaos” is famous. Haydn paints the dark, frightening void just prior to creation by using snippets of melody, vague rhythms, strange harmonies, awkward dissonances and sudden outbursts. “There is nothing else quite like it,” claims Noel Edison. “It’s the Big Bang expressed in music, and was way ahead of its time!”

March 30, 2016

Transported: New Ears Respond to Sacred Music in a Sacred Space

2015-16 Season

As a first time choral concert-goer, I truly did not know what to expect walking into St. Paul’s Basilica that Wednesday evening. I was immediately taken aback by the beauty of the church, however it was soon taking second seat to the beautiful music of the Toronto Mendelssohn Choir.