Media

Media Room

June 11, 2015

TSO conveys emotion of Mahler’s Symphony No. 2

2014-15 Season

Michael Vincent, Toronto Star. Singing with a singular voice, the Toronto Mendelssohn Choir lined the balcony with impressive numbers. Rather than coming out for the fourth movement, they sat motionless until it was their turn to sing. But once they did, their voices filled the hall like the massive organ that loomed at their backs.

June 11, 2015

Happy Ending and Then Some in Mahler’s Second

2014-15 Season

Arthur Kaptainis, Musical Toronto. I am always up for a sermon on the life everlasting, and the great finale, made of glorious sonorities onstage and off, did not fail. Oundjian found respiration in the phrasing and drama in the entries. Brass playing was firm, woodwinds were colourful and strings had the ring of truth. Most important, the Toronto Mendelssohn Choir (prepared by Noel Edison) entered with breathtaking solemnity. Remarkable how gripping a pianissimo equilibrium can be.

May 25, 2015

Andrew Davis and the Verdi Requiem

2014-15 Season

Photo of TMC performing with the TSO at Roy Thomson Hall. The orchestra and soloists are on stage and the Choir is in the choir loft. Sir Andrew Davis is on the podium conducting.

John Gilks, Opera Ramblings. The orchestra, complete with off stage brass high up at the back of the hall, and choir; the Toronto Mendelssohn Choir were on excellent form. The choir is large and can produce sound ranging from considerable subtlety to the full on power needed to work with the hundred odd musicians, heavy on the brass and drums, in the big climaxes.

May 25, 2015

Stars Align for Verdi Requiem with Sir Andrew Davis

2014-15 Season

Photo of TMC performing with the TSO at Roy Thomson Hall. The orchestra and soloists are on stage and the Choir is in the choir loft. Sir Andrew Davis is on the podium conducting.

Joseph So, Musical Toronto. Once in a while, when the music gods are smiling down from heaven and all the stars are aligned, an audience will get to witness an extraordinary musical event, a performance that will stay in memory for a very long time. Last evening’s Verdi Requiem was just such an event.

May 19, 2015

Classical musicians embrace public exhibitionism in search of new fans

2014-15 Season

Trish Crawford in the Toronto Star: On a recent spring evening, commuters on their way home were stopped in their tracks by the sound of the Toronto Mendelssohn Choir singing in Brookfield Place’s Galleria.

Under the direction of conductor Noel Edison, 70 voices soared to the glass roof of the atrium as they serenaded the rush hour crowd of Bay Street office workers.

April 28, 2015

Jennifer Min-Young Lee named as Associate Conductor

2014-15 Season

Following a competitive application process, the Toronto Mendelssohn Choir named Jennifer Min-Young Lee as the incoming associate conductor for Fall 2015. Jennifer will hold this two-year position for the 2015/16 and 2016/17 seasons. During her tenure she will work closely with Artistic Director Noel Edison and will conduct the Choir in rehearsal and in concert.

April 28, 2015

TMC announces 2015/16 season

2014-15 Season

TMC Media Release

The TMC’s 2015/16 season will build on the success of the 2014/15 season and create great musical experiences for audiences– from the drama of the story of creation captured in music by Haydn, to the romance of choral lieder by Brahms and Schubert, and the contemplative space created in the works of contemporary composers.

April 28, 2015

Toronto Mendelssohn Choir names new Associate Conductor

2014-15 Season

Michael Vincent, Musical Toronto: The Toronto Mendelssohn Choir have named Jennifer Min-Young Lee as the incoming associate conductor starting Fall 2015.

April 16, 2015

New Ears: Passio

2014-15 Season

This performance isn’t so much like watching the crucifixion of Jesus as being told the story of the crucifixion of Jesus by a crew of storytellers. So rather than seeing things happen, we are instead told “This happened and then this happened and then this happened and then this happened,” which felt a very dispassionate way of communicating a Passion.

I appreciated this starkness and deliberateness. It felt like a respectful telling of a story that many of us might have grown up with, but wouldn’t be able to necessarily recite to someone ourselves. I liked that it didn’t demand an emotional investment from those in the audience who might not be believers, but instead presented a matter-of-fact telling of a usually melodramatic narrative.