Media
Media Room
June 29, 2015
Luminato’s Apocalypsis is a complicated triumph
2014-15 Season
Robert Harris, Globe and Mail. Toronto’s Luminato Festival has staked a great deal on the highly original and highly idiosyncratic imaginative outpourings of a now 82-yr.-old Canadian musical wizard, R. Murray Schafer. Three long years in the making, the production of Schafer’s music ritual Apocalypsis that opened at the Festival Friday night brought together 1,000 musicians, singers, actors, dancers and technicians. It assembled a cast of internationally-known stars. It cost over a million dollars. It was a high-profile, big-time gamble.
The gamble paid off.
June 23, 2015
Brass Band Tradition at Christmas
2015-16 Season
One of the joys of Christmas is its predictability. Every year, we associate the Christmas season with familiar images, tastes, activities, objects and sounds. Santa Claus and Ebenezer Scrooge, Handel’s Messiah and Tchaikovsky’s Nutcracker, roast turkey and cranberry sauce, mistletoe and eggnog…….. brass instruments and choral voices. They all provide a joyous, festive and warm mood to which we enjoy returning year after year.
June 11, 2015
TSO conveys emotion of Mahler’s Symphony No. 2
2014-15 Season
Michael Vincent, Toronto Star. Singing with a singular voice, the Toronto Mendelssohn Choir lined the balcony with impressive numbers. Rather than coming out for the fourth movement, they sat motionless until it was their turn to sing. But once they did, their voices filled the hall like the massive organ that loomed at their backs.
June 11, 2015
Happy Ending and Then Some in Mahler’s Second
2014-15 Season
Arthur Kaptainis, Musical Toronto. I am always up for a sermon on the life everlasting, and the great finale, made of glorious sonorities onstage and off, did not fail. Oundjian found respiration in the phrasing and drama in the entries. Brass playing was firm, woodwinds were colourful and strings had the ring of truth. Most important, the Toronto Mendelssohn Choir (prepared by Noel Edison) entered with breathtaking solemnity. Remarkable how gripping a pianissimo equilibrium can be.
May 25, 2015
Andrew Davis and the Verdi Requiem
2014-15 Season
John Gilks, Opera Ramblings. The orchestra, complete with off stage brass high up at the back of the hall, and choir; the Toronto Mendelssohn Choir were on excellent form. The choir is large and can produce sound ranging from considerable subtlety to the full on power needed to work with the hundred odd musicians, heavy on the brass and drums, in the big climaxes.
May 25, 2015
Stars Align for Verdi Requiem with Sir Andrew Davis
2014-15 Season
Joseph So, Musical Toronto. Once in a while, when the music gods are smiling down from heaven and all the stars are aligned, an audience will get to witness an extraordinary musical event, a performance that will stay in memory for a very long time. Last evening’s Verdi Requiem was just such an event.
May 19, 2015
Classical musicians embrace public exhibitionism in search of new fans
2014-15 Season
Trish Crawford in the Toronto Star: On a recent spring evening, commuters on their way home were stopped in their tracks by the sound of the Toronto Mendelssohn Choir singing in Brookfield Place’s Galleria.
Under the direction of conductor Noel Edison, 70 voices soared to the glass roof of the atrium as they serenaded the rush hour crowd of Bay Street office workers.
April 28, 2015
Jennifer Min-Young Lee named as Associate Conductor
2014-15 Season
Following a competitive application process, the Toronto Mendelssohn Choir named Jennifer Min-Young Lee as the incoming associate conductor for Fall 2015. Jennifer will hold this two-year position for the 2015/16 and 2016/17 seasons. During her tenure she will work closely with Artistic Director Noel Edison and will conduct the Choir in rehearsal and in concert.
April 28, 2015
TMC announces 2015/16 season
2014-15 Season
The TMC’s 2015/16 season will build on the success of the 2014/15 season and create great musical experiences for audiences– from the drama of the story of creation captured in music by Haydn, to the romance of choral lieder by Brahms and Schubert, and the contemplative space created in the works of contemporary composers.