Media
Media Room
August 4, 2015
Toronto Mendelssohn Choir launches new Choral Composition Competition for emerging composers
2015-16 Season
The TMC is calling for choral composition submissions to its new Choral Composition Competition, an annual competition launched in August 2015. This competition focuses on works by emerging unpublished Canadian composers. Composers will be asked to submit an unpublished work for SATB or double choir, either a cappella or accompanied by piano or organ that is not more than 5 minutes in length. The deadline for submissions is November 13, 2015.
July 2, 2015
Luminato’s ‘Apocalypsis’ Offered A New View to the End of the World
2014-15 Season
Tom Beedham, Noisey. The apocalypse began before the audience could find its seats. While some still filtered in from the Toronto Sony Centre’s lobby, in an unnerving scene of delirium, actors situated throughout the audience stood and shouted proclamations for the end of the world in English, German, and Latin, silencing excited chatter about the epic sensory buffet that was about to unfold.
July 2, 2015
The Rebirth of R. Murray Schafer’s Apocalypsis
2014-15 Season
Neil Crory, Musical Toronto. “Apocalypsis,” as the 82-year-old composer so succinctly puts it in the programme notes, “is a work in two parts. Part One describes the destruction of the world and Part Two suggests the birth of the new universe.” What he doesn’t mention is that the work (based in part on the Book of Revelation and Psalm 148) runs well over 2 hours without an intermission. As this is a spatial work and meant to wrap around the audience, part of the orchestral and choral forces were placed in the balcony of the Sony Centre with the audience taking up the main floor.
June 29, 2015
Luminato’s Apocalypsis is a complicated triumph
2014-15 Season
Robert Harris, Globe and Mail. Toronto’s Luminato Festival has staked a great deal on the highly original and highly idiosyncratic imaginative outpourings of a now 82-yr.-old Canadian musical wizard, R. Murray Schafer. Three long years in the making, the production of Schafer’s music ritual Apocalypsis that opened at the Festival Friday night brought together 1,000 musicians, singers, actors, dancers and technicians. It assembled a cast of internationally-known stars. It cost over a million dollars. It was a high-profile, big-time gamble.
The gamble paid off.
June 23, 2015
Brass Band Tradition at Christmas
2015-16 Season
One of the joys of Christmas is its predictability. Every year, we associate the Christmas season with familiar images, tastes, activities, objects and sounds. Santa Claus and Ebenezer Scrooge, Handel’s Messiah and Tchaikovsky’s Nutcracker, roast turkey and cranberry sauce, mistletoe and eggnog…….. brass instruments and choral voices. They all provide a joyous, festive and warm mood to which we enjoy returning year after year.
June 11, 2015
TSO conveys emotion of Mahler’s Symphony No. 2
2014-15 Season
Michael Vincent, Toronto Star. Singing with a singular voice, the Toronto Mendelssohn Choir lined the balcony with impressive numbers. Rather than coming out for the fourth movement, they sat motionless until it was their turn to sing. But once they did, their voices filled the hall like the massive organ that loomed at their backs.
June 11, 2015
Happy Ending and Then Some in Mahler’s Second
2014-15 Season
Arthur Kaptainis, Musical Toronto. I am always up for a sermon on the life everlasting, and the great finale, made of glorious sonorities onstage and off, did not fail. Oundjian found respiration in the phrasing and drama in the entries. Brass playing was firm, woodwinds were colourful and strings had the ring of truth. Most important, the Toronto Mendelssohn Choir (prepared by Noel Edison) entered with breathtaking solemnity. Remarkable how gripping a pianissimo equilibrium can be.
May 25, 2015
Andrew Davis and the Verdi Requiem
2014-15 Season
John Gilks, Opera Ramblings. The orchestra, complete with off stage brass high up at the back of the hall, and choir; the Toronto Mendelssohn Choir were on excellent form. The choir is large and can produce sound ranging from considerable subtlety to the full on power needed to work with the hundred odd musicians, heavy on the brass and drums, in the big climaxes.
May 25, 2015
Stars Align for Verdi Requiem with Sir Andrew Davis
2014-15 Season
Joseph So, Musical Toronto. Once in a while, when the music gods are smiling down from heaven and all the stars are aligned, an audience will get to witness an extraordinary musical event, a performance that will stay in memory for a very long time. Last evening’s Verdi Requiem was just such an event.