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January 14, 2014
Toronto Mendelssohn Choir Conductors’ Symposium gearing up to big start
2013-14 Season
For the past three years, one of Toronto’s- nay, one of Canada’s-largest choral organizations has put on a weeklong symposium to find and nurture the next generation of conductors because, in their own words, “At the head of every successful choral organization is a skilled conductor.”
This year, in their fourth annual TMC Choral Conductors’ Symposium, the Toronto Mendelssohn Choir is set to embark on an intensive series of workshops and masterclasses from Jan. 28 to Feb. 1 where five conductors have been selected to study under the tutelage of Noel Edison.
December 19, 2013
Battle of the Messiahs: Toronto Symphony wins this round
2013-14 Season
Will the 10,000 people who go hear the show at Roy Thomson Hall get the better or worse experience than the 6,800 at Koerner and Massey halls? It’s long been a seesaw battle.
Based on the Toronto Symphony’s first Messiah performance on Tuesday night and Tafelmusik’s on Wednesday, it’s the former that has a slight edge in 2013.
First-time visiting conductor Christopher Warren-Green did a remarkable job of teasing out impressive details from Handel’s music — using less than three-dozen members of the TSO set against the 140 members of the Toronto Mendelssohn Choir.
December 18, 2013
Concert review: This could be the Toronto Symphony’s best Messiah so far this century
2013-14 Season
Tuesday’s first performance of the Toronto Symphony’s five-concert run of Handel’s oratorio Messiah at Roy Thomson Hall was that rare beast: a triumph from brisk Overture to rousing Amen.
This interpretation has it all: great soloists, a lean, expressive orchestra, superb choir and a cohesive performance approach from a veteran British conductor making his Toronto Symphony début.
December 13, 2013
Messing with Messiah
2013-14 Season
Noel Edison, artistic director of the Toronto Mendelssohn Choir says he has no problem with unconventional approaches to The Messiah but, when he leads his singers on their five days with the TSO’s program, he is strictly on the side of tradition.
“I’m too conservative,” Edison admits. Besides, he says, it doesn’t need embellishment. Handel “has so intimately, honestly and elegantly placed the text with the music, that it comes alive.”
December 5, 2013
Toronto Mendelssohn Choir announces five conductors selected to participate in the 4th Annual Choral Conductors’ Symposium in January 2014
2013-14 Season
The Toronto Mendelssohn Choir’s annual Choral Conductors’ Symposium brings together five emerging conductors for a week of intense master classes and workshops with acclaimed conductor Noel Edison. During the week of January 28 – February 1, 2014 the conductors, selected through a juried application process, have the rare opportunity to conduct both the chamber-sized Elora Festival Singers and the large-scale Toronto Mendelssohn Choir. The Symposium concludes with a free public concert on Saturday, February 1, 2014 at 3 pm at Yorkminster Park Baptist Church in Toronto.
November 19, 2013
Toronto Mendelssohn Choir and guests make magic of Benjamin Britten cantatas
2013-14 Season
Here’s a suggestion: If you go to one choral concert other than Messiah this season, make it the Toronto Mendelssohn Choir’s brilliant tribute to Benjamin Britten on Wednesday evening.
Tuesday night’s dress rehearsal at Yorkminster Park Baptist Church revealed not only a compelling, deeply affecting programme, but wonderful performances from the Mendelssohn Choir, the Toronto Children’s Chorus, orchestra, pianists, organist and, last but far from least, soloists tenor Colin Ainsworth and soprano Leslie Bouza.
Mendelssohn Choir music director Noel Edison chose two cantatas to showcase the composer’s genius for writing potent music drama for all ages and abilities: The Company of Heaven, created for BBC Radio in 1937, and Saint Nicolas, commissioned for the centennial of Lancing College but premiered at Aldeburgh in 1948.
November 1, 2013
TSO’s Carmina Burana a thrilling Halloween Musical Fare
2013-14 Season
I must give my highest praise to the Toronto Mendelssohn Choir, surely a national treasure. Every time I see them, I always think – “they’ve outdone themselves this time.” And then the next time I see them, I want to say the same thing.